Category Archives: martial arts

Kick-Ass

Saw this hit graphic novel adaptation last night with a buddy and walked out confused. One the one hand the script totally demolishes the normal human superhero genre (such as Batman), delivers some great laughs, captures the teenage condition almost too realistically and blasts some terrific action sequences. On the other hand a lot of those great action sequences involve an 11 year old girl, which seems to cross a line for me and Roger Ebert. Ebert writes in the opening of his review:

“A movie camera makes a record of whatever is placed in front of it, and in this case, it shows deadly carnage dished out by an 11-year-old girl, after which an adult man brutally hammers her to within an inch of her life. Blood everywhere. Now tell me all about the context.”

On the other hand, Big Daddy is about the perfect role for Nicholas Cage. He plays the 11 year old’s father, a man destroyed by the lead criminal in Kick-Ass and now totally devoid of any emotion; a fleshly machine running a program building slowly towards a massive revenge.

Aaron Johnson does a terrific job as the lead character. I totally believe him as a kid naive and enthusiastic enough to buy an odd looking scuba suit and go out in public wearing it. And getting his nuts kicked in too–after his first stretch in the hospital you’d think he’d at least go for a few lessons at the local dojo, but no.

Chloe Moretz does fine as Hit-Girl, the little ball of death and destruction, though I question her parents decision to let her take the role–I’d question any parent who did. Maybe they thought the purple hair and raccoon mask would keep her from years of nightmares and therapy.

Matthew Vaughn (Layer Cake), who directed and co-wrote the film, does an excellent job translating the graphic novel to the screen. Leaving the theater I felt like it was only 30 minutes since the opening credits came on but on the other hand I was also feeling like I should take a shower.

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Banlieue 13 (District B13)

Garret recommended this 2004 French action flick months ago but it just turned up on On Demand. If you saw the Daniel Craig Casino Royale last year, remember the opening sequence where Bond chases a man through an African city and that action style, known as Parkour, came from this movie and specifically from David Belle. When I saw that Luc Besson co-wrote the script there was no question but to watch it right away.

Belle co-stars in Banlieue 13 with Cyrill Rafaelli, Bibi Naceri and Dany Verissimo; Naceri co-wrote the script with Besson and Pierre Morel directed. Honestly, though the movie was subtitled, I could have enjoyed the movie nearly as much with no dialog since the plot was ridiculous, anti-government paranoia mashed up with a drugs gang, and only serves as a minimal framework from which the action sequences were hung.

In Paris three years from now (six after the picture was released) the government has erected walls around the worst crime districts of the city and cut off all services to those left within. Taha (Naceri), a crime boss, is turned over the police on the last day before they pull out completely by Leito (Belle) but the cops arrest Leito and turn his hot younger sister Lola (Verissimo) to Taha’s tender care. Somehow Taha’s crew captures a neutron bomb in transit, so the Feds send in Police Captain Tomaso (Rafaelli) with Leito, liberated from prison, as his guide. Taha has turned little sis into his drug-addled slave, so that’s his motivation.

Anyway, the real treat from this movie is, as I said, the action and so visual I’m not sure I can describe it well with a few words. Parkour is a stunning combination of gymnastics, running and a sort of boxing-oriented martial arts fighting style; you can watch this movie and easily be thinking that a lot of the more acrobatic moves are done with wires. But you’d be thinking wrong as everything was done by the performers.

Imagine a track meet, a bunch of sprinters who hate each other and instead of running around a gravel circle they race through and across buildings and alleys. They jump over bannisters to go up and down stairwells, barely break stride as they leap from rooftop to rooftop, run right onto and over cars coming straight at them. Throwing nasty punches and kicks, dodging trucks and scaling fences along the way. At full speed!

recommended

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Huo Yuan Jia (Jet Li's Fearless)

One cannot deny that I’m a big Jet Li fan. Oddly, and mistakenly, I was reluctant to watch Huo Yuan Jia since I had the impression he’d made an adoration to a man who was his own hero, who’d founded the Wushu school of martial arts a century ago. Indeed, before becoming an actor, Li five times won the Chinese Wushu championship although modern Wushu is a creation of the country’s Communist leadership and not the same style practiced by the historical Huo Yuan Jia.

Jet Li’s Fearless, the English title, is a bit idealized from the man’s real life. Not just to make a nice dramatic 100 minute package but to create a more heroic character; not that it matters to me, not being Chinese all I care about is an entertaining film. It does apparently present the man’s true position on the meaning of martial arts: self-improvement and self-development, with combat against others useful only as a means of testing one’s progress.

The movie can be divided into three parts: Huo’s childhood and early adult years, his years in the wilderness absorbing some tough lessons and finally, the emergence of a national champion at a time when Westerners and the Japanese treated China like a toy chest. At first Li’s character is arrogant, his ambition only to defeat every other fighter in his home city of Tianjin, but on attaining this goal its revealed as shallow and empty and his conceit leads to the death of his mother and daughter.

Destroyed, he’s nearly killed after running away from the shame but saved on the point of drowning by the crew of a fishing boat from a simple village. A lovely young blind woman and her grandmother take him in, restoring his health and teaching her their traditional wisdom. After several years working his way to an integrated, mature mental state, he returns to Tianjin only to find that foreigners have arrived in his absence and reduced his proud friends and neighbors to servants.

With his hard-earned insight Huo travels to Shanghai to take on a massive boxer. This O’Brien has defeated every Chinese fighter who gets in the ring with him and mocked the entire nation as weak, providing the final spark in Huo’s thinking. Not only does he defeat the boxer, easily, but does so with such graciousness that his opponent is able to push through his rage to acknowledge defeat.

Huo then founds the Jingwu Sports Federation (Jing Wu Men) based on the idea that only through unity will China pull free of foreign dominion. The foreigners don’t cotton so quickly to this thinking and challenge him to fight a champion from each of their four nations, a British boxer, a German lancer, a Spanish fencer, and a Japanese martial artist. Huo wins but also loses.

Li has the meat of the action, but also turning in strong performances are Betty Sun as the blind woman, Shido Nakamura as his Japanese opponent in his final match, Yong Dong as his lifelong friend and partner; the youngster who play’s Huo as a child isn’t listed in the IMDB or official website credits but was also terrific.

The movie was directed by Ronny Yu, one of Hong Kong’s most highly regarded filmmakers, and the action sequences were choreographed by the legendary Yuen Wo Ping.

recommended

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Le Transporteur II

TS1 and I got a big kick from the first Transporter flick. Considering how well it did and how strong Jason Stathem was as the lead we thought it would launch Stathem as a big time action lead. He’s certainly been active but not getting anywhere close to the top rank bankable action stars like Vin Diesel, Denzel Washington or The Rock; of course, those three aren’t making many traditional big budget action flicks either.

In Le Transporteur II Stathem’s Frank Martin has traded the Mediterranean coastal France for the Atlantic coast of (Miami) Florida but gets in trouble when he breaks his own rules by taking a job transporting a person rather than a package, the small son of the American drug czar (a cranky Matthew Modine). Unfortunately for cute little Jack (Hunter Clary), his dad is about to host a gathering of Latin American government ministers to approve a plan that will allegedly put a big hurt on the big traffickers.

They hire terrorist-turned-mercenary Gianni (hunky Italian Alessandro Gassman) and some goofball Russian biochemists to develop and deliver a fast acting fatal flu strain to the meddling officials; Gianni decides to use Jack as Patient Zero by substituting his men for Jack’s pediatrician so the injection can be given undetected. Unfortunately for Gianni’s plans, Mom (Amber Valletta) has a last minute emergency so Frank is with the boy and, of course, interferes.

Though he doesn’t prevent the infection. Gianni’s lieutenant and chief muscle is Lola (Kate Nauta, think of a European Gwen Stefani)–this photo is an excellent representation of Lola’s part in this film–and she is a complete sociopath, not at all concerned if she finally meets her match. Mom and Frank have an unrequited thing going on, since Dad’s been out of the picture for nearly a year, but Frank gets the blame for the kid going missing and has to battle the pathetic cops as well as the real baddies to save the day.

French uber-producer Luc Besson and frequent collaborator Robert Mark Kamen deliver a script that ventures pretty far into cartoon territory and director Louis Leterrier (Jet Li’s Unleashed, The Transporter) pulls out all the visual stops, slaphappy action, massive explosions and our favorite French flic Tarconi (François Berléand) for a bit of sly commentary on American cops.
recommended

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Unleashed

Back when I first read about this movie it seemed like a must see–starring Jet Li, Morgan Freeman, and Bob Hoskins, written and produced by Luc Besson and directed by Louis Leterrier ( who also collaborated on The Transporter) right?–but when it was released it got poor reviews and box office and disappeared before I had a chance to make up my mind. So when it premiered on HBO last Saturday I decided to go for it. No money out of my pocket so what the heck.

Unleashed is about a relentless fighter (Li, of course) who is more or less owned by a mob debt collector (Hoskins) and who can destroy any gang when his collar is removed (unleashed, get it?). After some unhappy “customers” riddle their car with bullets, Li believes Hoskins died and wanders off on his own, a reality he is unequipped to deal with since Hoskins has literally kept him caged and isolated since he was a small child. He connects with Freeman, a blind piano tuner who he met while waiting on Hoskins to make a collection, who takes him in no questions asked.

But of course Hoskins isn’t dead and a few months later, after Li has come out of shell, one of his thugs runs into Li on the street. Understanding that to do otherwise would bring only pain and/or death to Freeman and his stepdaughter, Li returns to his old life. That is soon unacceptable and so the two have a final showdown.

The martial arts sequences were choreographed by Yuen Wo Ping, one of the true masters, are awesome. As soon as his collar comes off, Li jams into action and takes down all the opposition; going against Hoskins is just stupid but some people won’t learn that lesson. There are also a couple of arrange ultimate fighting style scenes, to the death, that show Li at his nonstop best.

But this is IMO a good movie too, not just a shell for the battles, which I think is also true of The Transporter and, though this was more fisticuffs and guns, Besson’s 1992 classic Leon (released in the US as The Professional). The story holds together–as much as can be expected in such a strange setup–and Li really has a chance to act. Which is a good thing since he’s getting old enough (43) that one wonders how much of the intense martial arts he can keep putting on film.

recommended

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Kung Fu Hustle

After enjoying Shaolin Soccer, the last film written, directed and starring Stephen Chow, we were looking forward to Kung Fu Hustle and glad to see it on On Demand early access. Unfortunately our expectations weren’t really met. Possibly this was due to more substantial dependence on the dialog but poor translation into English subtitles rather than the film itself but I felt it was disjointed, awkward, and pushed Chow’s role, which based only on plot should have been fairly minor, to prominence because he played the part. Had a lot of neat elements which could have been melded together better, though the night battle with the musician/assassins was really cool.

not recommended

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