Category Archives: history

Huo Yuan Jia (Jet Li's Fearless)

One cannot deny that I’m a big Jet Li fan. Oddly, and mistakenly, I was reluctant to watch Huo Yuan Jia since I had the impression he’d made an adoration to a man who was his own hero, who’d founded the Wushu school of martial arts a century ago. Indeed, before becoming an actor, Li five times won the Chinese Wushu championship although modern Wushu is a creation of the country’s Communist leadership and not the same style practiced by the historical Huo Yuan Jia.

Jet Li’s Fearless, the English title, is a bit idealized from the man’s real life. Not just to make a nice dramatic 100 minute package but to create a more heroic character; not that it matters to me, not being Chinese all I care about is an entertaining film. It does apparently present the man’s true position on the meaning of martial arts: self-improvement and self-development, with combat against others useful only as a means of testing one’s progress.

The movie can be divided into three parts: Huo’s childhood and early adult years, his years in the wilderness absorbing some tough lessons and finally, the emergence of a national champion at a time when Westerners and the Japanese treated China like a toy chest. At first Li’s character is arrogant, his ambition only to defeat every other fighter in his home city of Tianjin, but on attaining this goal its revealed as shallow and empty and his conceit leads to the death of his mother and daughter.

Destroyed, he’s nearly killed after running away from the shame but saved on the point of drowning by the crew of a fishing boat from a simple village. A lovely young blind woman and her grandmother take him in, restoring his health and teaching her their traditional wisdom. After several years working his way to an integrated, mature mental state, he returns to Tianjin only to find that foreigners have arrived in his absence and reduced his proud friends and neighbors to servants.

With his hard-earned insight Huo travels to Shanghai to take on a massive boxer. This O’Brien has defeated every Chinese fighter who gets in the ring with him and mocked the entire nation as weak, providing the final spark in Huo’s thinking. Not only does he defeat the boxer, easily, but does so with such graciousness that his opponent is able to push through his rage to acknowledge defeat.

Huo then founds the Jingwu Sports Federation (Jing Wu Men) based on the idea that only through unity will China pull free of foreign dominion. The foreigners don’t cotton so quickly to this thinking and challenge him to fight a champion from each of their four nations, a British boxer, a German lancer, a Spanish fencer, and a Japanese martial artist. Huo wins but also loses.

Li has the meat of the action, but also turning in strong performances are Betty Sun as the blind woman, Shido Nakamura as his Japanese opponent in his final match, Yong Dong as his lifelong friend and partner; the youngster who play’s Huo as a child isn’t listed in the IMDB or official website credits but was also terrific.

The movie was directed by Ronny Yu, one of Hong Kong’s most highly regarded filmmakers, and the action sequences were choreographed by the legendary Yuen Wo Ping.

recommended

Also posted in action, biography, martial arts, Recommended, Reviews | Comments Off

The Illusionist

Last fall two seemingly similar movies came out around the same time and this fine film was overshadowed by the other, The Prestige, but since I haven’t seen that one yet I won’t opine on whether the reaction was justified. Certainly The Illusionist is a good, enjoyable entertainment, a creative success for writer/director Neil Burger in his first major studio production.

Edward (Edward Norton) and Sophie (Jessica Biel) are childhood friends and then sweethearts in fin de siecle Austria but since she’s a grand duchess and he the cabinetmaker’s son their elders force them apart. He takes off for parts unknown, travelling the world and learning magic, and she grows up to be the fiancee of Crown Prince Leopold, heir to the Austrian Empire’s throne, played by Rufus Sewell. Edward, having adopted the stagename Eisenheim the Illusionist, returns to Vienna and draws the cream of society to his performances.

Including the Crown Prince, who volunteers his fiancee when Eisenheim requests one from the audience. Unimpressed with the magic Leopold has the entertainer come to the palace so he can be shown up as a simple trickster. If the illusions could be so easily debunked the movie would immediately fall apart, so they can’t. Further, Eisenheim has recognized Sophie and still loves her; though she doesn’t recognize him he arranges to tell her. Letting us know Sophie’s passion also still burns, she has always worn a small charm he made for her as a teen.

Berger’s script reaches the ending one more or less expects, especially from a big budget studio movie, but the path is not at all direct and the illusions he conjures for Eisenheim to perform are outstanding. Further the magician’s travels seem to have taught him that no man has a right to command another simply because of birth, a sentiment not as widely held in the first years of the last century as now, and therefore he won’t restrain his affections just because his rival is a prince.

Enjoyable, intense, creative.

recommended

Also posted in drama, fantasy, Recommended, Reviews | Comments Off

Donnie Brasco

This 1997 film was, I think, the one that launched Johnny Depp’s adult career–you could quibble about Nick of Time, but not seriously–and pairing him with Al Pacino was a terriffic choice. For a change, also, being based on a true life story didn’t doom this to boredom and failure.

Donnie Brasco (Depp) is the cover name for FBI agent Joseph Pistone, already under for two years when the movie opens with the scene where Depp and Pacino, playing a made guy named Lefty Ruggiero, meet. Lefty is wondering what he has to show for 26 hits and 30 years of being a wiseguy and sees Brasco as a chance to improve his standing with the bosses, someone he thinks is a high end jewelry thief and a good earner. Pistone, initially, is thrilled at finally being able to move his overly long operation to a level that can bring results.

Anne Heche (in honestly one of her few performances I enjoyed) is the wife Depp can rarely go home to, who can barely see the good, college educated man she married transformed by this deep cover assignment, their marriage nearly destroyed by his absence. It was, after all, only expected to last three months. Michael Madsen by this time had developed a pretty good aptitude for playing sociopaths and does well here as Lefty and Donnie’s skipper and Zeljko Ivanic is good as Pistone’s concerned case handler.

Directed by Mike Newell (whose work I appreciated in Harry Potter and the Goblet of Fire but didn’t in Mona Lisa Smile) and written by Paul Attanasio (who also dropped some fine Homicide: Life on the Streets scripts around this time), Donnie Brasco is a clear precursor to The Sopranos and a stepping stone from Scorsese’s Goodfellas and Casino with its intermingling of family and ‘work’ and the fine line tread by the main character between what he knows is right and the attachment he’s developed to Lefty and their crew.

definitely recommended

Also posted in crime, drama, Recommended, Reviews | Comments Off

The Proposition

Rocker Nick Cave has turned to writing movies instead of songs and he seems to have a decent hand at it. The Proposition (2006) is an Australian western taking place in the late 19th Century, a time when most of that vast land was barely settled, much less under the rule of law.

Captain Stanley (Ray Winstone), long in the service of His Majesty’s Government, has come Down Under to “civilize this land.” He commands a small police force somewhere in the Outback and his current mission is to capture the Burns brothers, who’ve massacred an entire local family in a particularly gruesome fashion.

Stanley’s already captured the younger two, Charlie (Guy Pearce) and Mike (Richard Wilson), and offers Charlie the chance to save his and Mike’s lives if he’ll bring back the eldest, Arthur(Danny Huston), dead or alive. Stanley and Charlie understand that Arthur is the true villain, the ongoing threat to this nascent culture, so Charlie agrees.

Arthur’s camp is hidden in some desolate, rocky hills, easily defended from any approach, a key reason why the captain isn’t anxious to take on the task himself. However, an elderly bounty hunter (played by John Hurt) is willing to risk it; he’s quite drunk when Charlie runs into him at a way station, alone, happy to share stories over booze.

Back in town, a government official called Fletcher (David Wenham) shows up, determined to punish all three brothers for the massacre (and unstated previous atrocities). He’s nonplussed by Captain Stanley’s deal and orders that Mike get 100 lashes first thing in the morning; that many is far more than can be withstood, death a certainty if not immediate.

The acting is very strong and nuanced. Winstone and Pearce, the leads, ably convey their characters’ inability to see life in the sharp divisions imagined by Wenham and Huston. Cave’s dialog is honest and direct, yet not without literary quality.

Director John Hillcoat uses the Outback landscape to great advantage. The terrain is as sparse as the dialog and the glaring sky conveys claustrophobic limits to what is really a nearly unconstrained vastness.

recommended

Also posted in drama, Recommended, Reviews, western | Comments Off

V for Vendetta

Yet another, er, graphic novel adaptation but much darker and more serious than others I’ve seen or noticed. Written and produced by the Wachowski brothers and directed by their longtime assistant James McTeigue, V for Vendetta is the story of a near future Britain that falls under the control of a fascist politician riding a wave of terrorist episodes and global unrest. One man, known only as V, has found the means to fight back and he uses the failed revolutionary Guy Fawkes as a stalking horse to rally support.

V (Hugo Weaving, in yet another high profile science fiction role) is never seen out of costume, centuries old clothing and a hard ceramic mask. Even when making breakfast for his unwilling house guest, Evey (Natalie Portman, in her early 20s, her appearance a very appropriate blend of child and woman). V saved her from some nasty extracurricular police activity one night but soon after realized the only way he could truly protect the girl was to keep her in his lair. Despite what you’re probably thinking there’s no intimate contact, how could there be when he never removes that mask?

Meanwhile V’s high profile guerilla actions are driving High Chancellor Adam Sutler (John Hurt) a bit batty, and the politician has already got a good start on that. One by one his minions are falling to V or Sutler’s discontent with the exception of top policeman Finch (Stephen Rea), a cop bent on doing his job and keeping the politics as far out of it as possible.

McTeigue keeps the visuals dark, lots of deep reds, greys and scenes shot at night, underground or with rain falling if day time, and a big building on fire some years beforehand which we see in pieces throughout. There’s a minimum of exposition and flashbacks used instead of talking for most of the explanatory material. The philosophical backdrop is clearly of a piece with the Wachowski brothers’ most famous work, the Matrix trilogy, decidedly individualistic and wary of corporate machinery.

(As an aside, I’m quite amused that their next project is the film version of ’60s cartoon series Speed Racer. Another project in which an underdog takes on The Man and another cartoon adaptation.)

recommended

Also posted in action, fantasy, movies, politics, Recommended, Reviews | Comments Off

300

There’s a reason this film disappointed me: Despite the amazing visuals from start to end and near non-stop action, it is essentially one battle scene stretched to fill a two hour movie. I initially thought it was a box office disappointment too, but Box Office Mojo reports it’s taken in over $200M in the US and $217M elsewhere as of last weekend. Even with a production budget of $65M and plenty of marketing support, that’s surely sufficient for a good profit despite Hollywood studio’s arcane accounting methodology.

300 is based on Frank Miller’s graphic novel retelling of the battle between the Spartans of ancient Greece and Xerxes, greatest leader of the Persian Empire. Directed and co-written by Zack Snyder (whose only major previous effort was the 2004 remake of Dawn of the Dead), the film is unsurprisingly similar to Sin City. Unsurprising because that was also based on a Miller graphic novel but not near as good, probably because the underlying material was meatier and the significantly greater participation by Miller.

If one can ignore that much of the stunning imagery is from blood spurting and body parts flying, which in the end I could not, then one might enjoy 300 more than I did. Gerard Butler is a mighty King Leonidas, Lena Headey is a match for Butler’s iron will and pure hardbodied sexiness as his queen, David Wenham (Faramir from The Lord of the Rings) and Vincent Regan are both quite good–especially Wenham’s storytelling, which Snyder uses to frame the entire film–as Leonidas’s captains, even props to my boy from The Wire, Dominic West, as a slimy politician and Rodrigo Santoro as a majestic Xerxes.

But in the end, there was far too much killing and nowhere near enough storytelling to justify spending $65 million making this movie.

not recommended

Also posted in action, drama, movies, Not Recommended, Reviews, war | Comments Off

In the Name of the Father

The United Kingdom got itself into a huge mess in Northern Ireland that bubbled over into outright violence around 1970. With the signing of today’s accord between the Sinn Fein and the Democratic Unionist Party this horrible era may be drawing to a close. I previously wroteup Bloody Sunday, Paul Greengrass’s amazing retelling of a 1972 rally gone bad.

In the Name of the Father, released in 1993, is an excellent fact-based movie concerning a second tragedy of the early years of the conflict. In 1974, the IRA bombed a pub in Guilford known as a military hangout and killed five people. Facing enormous pressure to pin blame and with recently passed legislation giving them a much freer hand, the Special Branch blew a tip given by a jealous boyfriend into the arrest and conviction of nearly a dozen innocent Irish people including three old people and two teenage boys.

For 15 years they proclaimed their innocence but even after an actual IRA soldier, caught dead to rights on a different attack, confessed the authorities refused to reconsider the verdicts. Even though they were largely the result of torture, even though they had nothing on the secondary defendents but the result of handling garden soil, they refused to reconsider the verdicts.

Finally a lawyer got involved in their appeals and, with the chief archivist out sick one day, saw the entire, unadulterated police file. In it she found a police interview conducted just a few weeks after the bombing with a witness who confirmed the two key men’s story, with a note attached: “Do not show to defense counsel.” This pretty much ended the legal travails, though too late for the father, who’d died a few years previously from lung disease.

Daniel Day-Lewis plays Gerry Conlon and Pete Postlethwaite his father, Emma Thompson their lawyer and Corin Redgrave the policeman responsible for their railroading; Day-Lewis, Postlethwaite and Thompson were nominated for acting Oscars while Jim Sheridan, who wrote, produced and directed, got nominations for all three jobs. All quite deserved but were shut out in a strong year, up against Philadelphia, Schindler’s List, The Piano and Remains of the Day.

Day-Lewis’s performance is the key to the movie. At the opening, Conlon is a (bad) petty theft in Belfast and can’t even stay out of the IRA’s notice. Dad sends him to London, where his sister lives, but Gerry has other ideas and hooks up with some school chums and their lady friends in a hippie squat. Out on a lark one night they see a prostitute drop her wallet but when she doesn’t respond to their calls they take it and help themselves to a wad of cash hidden in a bedpost.

Unfortunately, one of the guys who was already in the squat was pissed at Conlon for squeezing him out with a hot blonde and after the bombing got his revenge by dropping a word in a police detective’s ear. Conlon and three others from the squat are pulled in and tortured until they confess. At trial the claims of coercion are dismissed as a tactic to beat the charges and a tidal wave of English public anger results in guilty verdicts all around, life for the four key defendants and four-15 years for the other seven.

Reality finally sets in and Conlon starts growing up, but the years in prison with his father (they’re cellmates) as well as the other inmates have important lessons to teach him. In the hands of a lesser actor the subtle changes required by the role would’ve been too much but Daniel is quite capable.

definitely recommended

Also posted in drama, movies, politics, Recommended, Reviews | Comments Off

Everything is Illuminated

This seemed like the kind of small quirky film that I enjoy so when TiVo grabed it for me a second time I watched. Sadly, this is a bad small quirky film so I hit delete after about 30 minutes. The 2005 movie is the first feature written and directed by actor Liev Schreiber, from Jonathan Safran Foer’s critically acclaimed novel, and he clearly needed a bit more mentoring from his producers.

Everything is Illuminated stars Elijah Wood as a strange little Jewish American man (named Jonathan Safran Foer, though this is post-modern fiction and not autobiographical as far as I know) who travels to the Ukraine after his beloved grandmother’s death to find out about the woman who saved her from the Nazi muderers during World War II and Eugene Hutz and Boris Leskin as a strange grandson/grandfather pair of Ukrainian tour guides who specialize in showing around relatives of dead Jews.

not recommended

Also posted in family, indie, movies, Not Recommended, Reviews | Comments Off

Munich

The massacre of nine Israeli athletes and coaches at the 1972 Munich Olympics was both a tragedy and turning point in the conflict between Israel and the Palestinians; whatever else it generated, the world’s perception of the war against israel began to move the country’s enemy from Arabs generally, and the surrounding Arab nations specifically, to the refugees dispossessed in May 1948 and their descendants. Eleven at the time, I have only the barest memories of the TV coverage by ABC and saw little of its effects during my visit in two summers later.

Steven Spielberg is a master moviemaker (consider how well he overcame generic performances by Tom Cruise in War of the Worlds and Minority Report) and realized that a simple retelling of the tense hours at the Olympic Village and the denoument at a nearby airport was not the movie to make in 2005. Instead he focused on the Israeli response–the Golda Meir government dispatched a deniable team to track down and kill the eleven men deemed responsible for the massacre–with the events in Munich shown as a prelude and then occasionally mixed in to remind us why.

Eric Bana plays Avner, the Mossad agent picked to lead the team of Ciaran Hinds (Julius Ceasar in HBO’s Rome), Daniel Craig (derr, the new Bond), Mathieu Kassovitz and Hans Zischler. The movie is nearly three hours long so I can understand Spielberg’s choice to focus all the non-assassination screen time on Bana’s personal life and emotions but it does make the other four, with the possible exception of Hinds’ Carl, just a bit above cardboard level.

The men are supplied with little more than a Swiss safety deposit box filled (and refilled) with untraceable dollars but quickly connect with an anarchistic French clan who specialize in supplying information to all comers, as long as the customer is not working for or with a government. The clan is headed by Papa, the excellent French character actor Michael Lonsdale (Ronin), who takes a liking to Avner despite eventually piercing the wall of deniability.

The problem is that Avner, like most humans not suffering from psychopathy or sociopathy, finally becomes unhinged by the death he’s dealt out and no longer has the coin to continue. Frankly, that he was able to take care of six targets, plus one’s replacement and a contract killer who ended one of his team members, seems huge to me. No matter how greatly I value Israel and the United States I could never do anything like it.

Bana was a great choice for the lead role, which I simply could not imagine, say, Tom Cruise handling. Hinds is very good as are Geoffrey Rush as the team’s Mossad handler, Mathieu Amalric as the information clan’s point person and Gila Almagor as Avner’s Holocaust survivor mother. Guri Weinberg, interestingly, portrays his own father Moshe, one of the Israelis massacred.

Spielberg does not give us a one-sided view, despite the fact that he as well as scriptwriters Eric Roth (Forrest Gump, Ali, The Good Shepherd) and Tony Kushner (Angels in America) are all Jewish. The Palestinians are, mostly, portrayed in their own words and actions, the events in the Olympic Village use lots of actual footage from ABC’s coverage, the Israelis are not perfect nor unemotional in their decisionmaking.

recommended

Also posted in drama, movies, politics, Recommended, Reviews, war | Comments Off

Pirates of the Caribbean: Dead Man's Chest

Sequels, especially ones which are the middle chapter in a trilogy, often let down fans of the first movie. The Empire Strikes Back was a notable exception, often cited as the best of the six by fans, but The Two Towers (despite being a terrific movie IMO) is generally considered a letdown. The reason, even in the best of cases seems fairly straightforward: the first film opens the big can of worms and the main characters surprise and seduce us while the second still doesn’t resolve the conflict and we already know the characters.

Pirates of the Caribbean: Dead Man’s Chest is fighting welterwight compared to these heavyweight classics, and is an enjoyable two and a half hours, but still falls into the middle movie canyon. I suspect only the most ardent of Johnny Depp fans were expecting anything like what his Captain Jack Sparrow character turned out to be in Curse of the Black Pearl and others were wondering why the excellent, if eccentric, actor signed on for a movie based on a theme park ride; Eddie Murphy’s The Haunted Mansion, released around the same time, certainly turned out to be the weak effort most were projecting for Pirates.

Curse, though, was a revelation and showed that a little imagination, a bit of discipline and a smidge of over the top acting go a long way. The problem is that this time the audience expects much more, the big surprises have been shot out of the cannons. So to speak.

Yet Dead Man’s Chest still succeeds. Reviewers were not particularly kind but the fairly full theater we saw it in laughed a lot and left talking and smiling. The barebones plot perhaps tracked a thousand previous pirate/romantic comedies but director Gore Verbinski, writers Ted Elliot & Terry Rossio (not involved in the first PotC but they did co-write Shrek) and the special effects crew did a really good job giving us new material.

The character of Will Turner’s father was terrific, both in dialog and Stellan SkarsgÃ¥rd‘s performance. The sequence with Sparrow, Turner, Norrington and the cannibal tribesmen, particularly the sword fight between the three men inside a dislodged waterwheel as it careens down a mountain–I’d buy the DVD just to see the making of this! Bill Nighy’s Davey Jones was another treat, but Nighy’s done so many good roles lately I wonder why he wasn’t a bigger star when younger. Keira Knightly, well, she’s smart and aggressive and as cute as ever.

Of course now the crew has got a really huge hill to climb with next year’s conclusion. All the major characters return, including Jonathon Pryce, Geoffrey Rush, Naomie Harris (the voodoo priestess) and Nighy plus Yun Fat Chow as a Chinese pirate captain and possibly even walking dead rocker Keith Richards as Depp’s daddy, so the Magic 8 Ball says: “Outlook Sunny!”

definitely recommended

Also posted in action, fantasy, movies, Recommended, Reviews | 1 Comment