Monthly Archives: July 2007

The Illusionist

Last fall two seemingly similar movies came out around the same time and this fine film was overshadowed by the other, The Prestige, but since I haven’t seen that one yet I won’t opine on whether the reaction was justified. Certainly The Illusionist is a good, enjoyable entertainment, a creative success for writer/director Neil Burger in his first major studio production.

Edward (Edward Norton) and Sophie (Jessica Biel) are childhood friends and then sweethearts in fin de siecle Austria but since she’s a grand duchess and he the cabinetmaker’s son their elders force them apart. He takes off for parts unknown, travelling the world and learning magic, and she grows up to be the fiancee of Crown Prince Leopold, heir to the Austrian Empire’s throne, played by Rufus Sewell. Edward, having adopted the stagename Eisenheim the Illusionist, returns to Vienna and draws the cream of society to his performances.

Including the Crown Prince, who volunteers his fiancee when Eisenheim requests one from the audience. Unimpressed with the magic Leopold has the entertainer come to the palace so he can be shown up as a simple trickster. If the illusions could be so easily debunked the movie would immediately fall apart, so they can’t. Further, Eisenheim has recognized Sophie and still loves her; though she doesn’t recognize him he arranges to tell her. Letting us know Sophie’s passion also still burns, she has always worn a small charm he made for her as a teen.

Berger’s script reaches the ending one more or less expects, especially from a big budget studio movie, but the path is not at all direct and the illusions he conjures for Eisenheim to perform are outstanding. Further the magician’s travels seem to have taught him that no man has a right to command another simply because of birth, a sentiment not as widely held in the first years of the last century as now, and therefore he won’t restrain his affections just because his rival is a prince.

Enjoyable, intense, creative.

recommended

Posted in drama, fantasy, history, Recommended, Reviews | Comments Off

Kiss Kiss Bang Bang

A quirky, enjoyable 2005 flick starring Robert Downey, Jr., Val Kilmer and Michelle Monaghan, Kiss Kiss Bang Bang is the first directorial effort of longtime Hollywood screenwriter Shane Black though very, very different than you might expect from his scripts for big hits Lethal Weapon, The Last Boy Scout, Last Action Hero, and The Long Kiss Goodnight.

Instead Kiss Kiss is a slyly funny sendup of old time private eye flicks in the Sam Spade/Mickey Spillane mold, with the action dictated by the stereotypical structure of a series of fictional novels about PI Johnny Gossamer. Downey is a small time New York City thief called Harry Lockhart who, running away from a toy store job gone bad, finds himself in a movie casting call where he impresses the producer (played by Larry Miller) enough to get a trip to LA for a screen test; Downey’s character also narrates the movie and the voice over dialog is, well, snarky and not at all what we’ve come to expect.

Miller takes Downey to a big party at Harlan Dexter’s house; Dexter (Corbin Bernsen), a former star turned wealthy businessman, has upscale private detective Gay Perry (a buff Val Kilmer) on the payroll and Downey is set up with Kilmer for a ride along the next day to prep for his screen test. Note that Kilmer’s character is homosexual and his first name is Perry, the Gay being a nickname with which he seems fine.

Also there is a starlet wannabe called Harmony (Michelle Monaghan) who catches Downey’s eye and he follows her to a chic bar after the party. She catches his eye for a good reason: they were best friends growing up in rural Indiana until the two lost touch when she ran away to Hollywood at 16, twenty years before this. Harmony recognizes Harry but he’s got no clue until she can’t keep a straight face and tells him.

So where’s the mystery? Harmony’s younger sister arrived the morning of the party, stole her driver’s license and credit card and hired Perry to do some tracking of the man she thinks is her biological father. See Harmony told sis just before leaving home that their father, who had been molesting the younger one, was not her ‘real’ dad and instead she was the product of a hookup with one of the stars of the Johnny Gossamer movie shooting in their hometown nine months before she was born. Sis figured out her father was, you guessed it, Harlan Dexter.

Harry’s ride along is that tracking job and in the field he and Perry see a female body put in a car trunk and then the car launched into a lake. Thinking the woman might still be alive they get her out of the water, though of course she’s dead and (farce alert) they take corpse and redump her on an anonymous LA street. Not anonymous enough since the killers (Mr. Frying Pan and Mr. Fire) follow them and put the body in Harry’s hotel room.

Meanwhile Harmony gets a call from the cops. Her sister’s been found dead, most likely a suicide. Harmony doesn’t want to hear that and gets Harry to try and find the truth, and he pulls Perry in, albeit reluctantly. Complicating the investigation(s) further is the news that Harlan Dexter’s daughter is also dead. She was estranged from him for 10 years but returned from Paris in the wake of Dexter’s wife’s death a few months before, reconciled with dad and withdrawn her lawsuit disputing mom’s will.

After much car crashing and gun shooting, some deaths and many injuries, and lots of laughter all the deaths come together into a single thread. Sadly, Harmony’s sister actually was a suicide; she saw Dexter having sex with a woman (Pink Hair Girl, played by Shannon Sossamon) she thought was his daughter and the idea that ‘both’ her dads were incestuous monsters was too much to handle. Miss Pink was not his daughter and in part learning her real identity was a key to the final answers. Plus, back in Indiana for her funeral, Perry made  up for this a little by giving Harmony’s bed-ridden father some cruel payback.

Definitely a smarter, funnier movie than one would have predicted from Shane Black and also avoided the very common trap of taking obvious insider potshots at Hollywood. Downey, Kilmer and Monaghan are all strong.

recommended

Posted in comedy, mystery, Recommended, Reviews | Comments Off

Donnie Brasco

This 1997 film was, I think, the one that launched Johnny Depp’s adult career–you could quibble about Nick of Time, but not seriously–and pairing him with Al Pacino was a terriffic choice. For a change, also, being based on a true life story didn’t doom this to boredom and failure.

Donnie Brasco (Depp) is the cover name for FBI agent Joseph Pistone, already under for two years when the movie opens with the scene where Depp and Pacino, playing a made guy named Lefty Ruggiero, meet. Lefty is wondering what he has to show for 26 hits and 30 years of being a wiseguy and sees Brasco as a chance to improve his standing with the bosses, someone he thinks is a high end jewelry thief and a good earner. Pistone, initially, is thrilled at finally being able to move his overly long operation to a level that can bring results.

Anne Heche (in honestly one of her few performances I enjoyed) is the wife Depp can rarely go home to, who can barely see the good, college educated man she married transformed by this deep cover assignment, their marriage nearly destroyed by his absence. It was, after all, only expected to last three months. Michael Madsen by this time had developed a pretty good aptitude for playing sociopaths and does well here as Lefty and Donnie’s skipper and Zeljko Ivanic is good as Pistone’s concerned case handler.

Directed by Mike Newell (whose work I appreciated in Harry Potter and the Goblet of Fire but didn’t in Mona Lisa Smile) and written by Paul Attanasio (who also dropped some fine Homicide: Life on the Streets scripts around this time), Donnie Brasco is a clear precursor to The Sopranos and a stepping stone from Scorsese’s Goodfellas and Casino with its intermingling of family and ‘work’ and the fine line tread by the main character between what he knows is right and the attachment he’s developed to Lefty and their crew.

definitely recommended

Posted in crime, drama, history, Recommended, Reviews | Comments Off

Fantastic Four: Rise of the Silver Surfer

Truly a piffle, a tchotchke of a movie. But Fantastic Four: Rise of the Silver Surfer is fun, really fun, made more so by the fact that no one involved in the production took themselves too seriously. The four superheroes, Mr. Fantastic, the Invisible Girl, the Thing and Johnny Flame, are enjoying life and the first two are trying, for the fourth or fifth time, to pull off one of the celebrity weddings of the decade. Standing in their way is the arrival of the Silver Surfer, preparing other worlds for destruction so that his master will spare the Surfer’s home.

The US military wants the Four’s help but General Hager (Andre Braugher) and Reed Richards have an unpleasant history, leading the general to bring in the unexpectedly still alive Victor von Doom for added expertise. Despite strong warnings, Hager trusts von Doom to keep his word and this almost leads to planetary catastrophe (and does lead to Hager’ being murdered by him) even though they’ve captured the Silver Surfer.

Director Tim Story and writers Don Payne and Mark Frost throw in pop culture jokes, plenty of explosions and fight scenes and, most importantly, keep the movie moving, not getting bogged down in having one character explain something to another to make sure the audience understands. Straight out, simple fun.

recommended

Posted in action, Recommended, Reviews, science fiction, summer2007 | Comments Off

The Proposition

Rocker Nick Cave has turned to writing movies instead of songs and he seems to have a decent hand at it. The Proposition (2006) is an Australian western taking place in the late 19th Century, a time when most of that vast land was barely settled, much less under the rule of law.

Captain Stanley (Ray Winstone), long in the service of His Majesty’s Government, has come Down Under to “civilize this land.” He commands a small police force somewhere in the Outback and his current mission is to capture the Burns brothers, who’ve massacred an entire local family in a particularly gruesome fashion.

Stanley’s already captured the younger two, Charlie (Guy Pearce) and Mike (Richard Wilson), and offers Charlie the chance to save his and Mike’s lives if he’ll bring back the eldest, Arthur(Danny Huston), dead or alive. Stanley and Charlie understand that Arthur is the true villain, the ongoing threat to this nascent culture, so Charlie agrees.

Arthur’s camp is hidden in some desolate, rocky hills, easily defended from any approach, a key reason why the captain isn’t anxious to take on the task himself. However, an elderly bounty hunter (played by John Hurt) is willing to risk it; he’s quite drunk when Charlie runs into him at a way station, alone, happy to share stories over booze.

Back in town, a government official called Fletcher (David Wenham) shows up, determined to punish all three brothers for the massacre (and unstated previous atrocities). He’s nonplussed by Captain Stanley’s deal and orders that Mike get 100 lashes first thing in the morning; that many is far more than can be withstood, death a certainty if not immediate.

The acting is very strong and nuanced. Winstone and Pearce, the leads, ably convey their characters’ inability to see life in the sharp divisions imagined by Wenham and Huston. Cave’s dialog is honest and direct, yet not without literary quality.

Director John Hillcoat uses the Outback landscape to great advantage. The terrain is as sparse as the dialog and the glaring sky conveys claustrophobic limits to what is really a nearly unconstrained vastness.

recommended

Posted in drama, history, Recommended, Reviews, western | Comments Off